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Frequently Asked Questions

 

 

The Intensive 2.0 (Los Angeles)

Where should I stay?

The Intensive will be located in a few different locations throughout the Los Angeles and Burbank areas.  Generally, we recommend participants to stay close to the final studio location which will be announced in early 2026.  From hotels, motels and Airbnb, there are many affordable options close to the workshop within a short drive. 

 

 

Which airport is closest?

Los Angeles International (LAX) airport is closest to Sony Studios. Burbank Airport (BUR) is also located in the greater Los Angeles.  If coming from LAX, expect travel time to take between 30 minutes to 1 hour, depending upon traffic.

If accepted, how do I pay tuition?

Payment may be accepted via PayPal, direct check to Los Angeles Film Conducting Intensive, or via wire transfer.  Please contact info@lafci.org for wire instructions.

Is there financial aid availalbe?

Financial aid is not currently available through LAFCI, however local service organizations, local arts council, or professional organizations may be of assistance.

 

 

Will transportation be provided?

Transportation will not be provided however it is anticipated that most participants will be from the Los Angeles metro area and may be able to assist with carpool.

 

 

Does my application composition need to be the same as my cue for the final demo recording session?
Composition submitted per application is only for admission consideration and does not have to be your cue for recording on the final session. The faculty recommend submissions demonstrate the applicants strongest work. Accepted applicants to the Fellow program will then be encouraged to write a new composition for the final full orchestra session as well as for the assigned clip for the hybrid session.
 
 
How many cues do I submit as per the application requirements?
Only one cue is needed per your application.

 

 

Will my submitted application composition be returned?

Unless a self addressed and stamped envelope is received, submitted application compositions will not be returned.

 

 

How will acceptance be determined?

Acceptance will be determined primarily upon quality of compositional skill and creativity as demonstrated with submitted materials. Applicant CV will also be heavily considered.  Quality of mock-up, score formatting (if submitting a notated score), and orchestration (if submitting a notated score) for live ensemble will also be taken into consideration.

Are there any tips to ensure my application has the best chance possible?

  1. Submit a high quality mock-up or audio recording of your piece.

  2. Submit a notated score of your piece.

  3. If your submitted piece also has a video component (i.e. re-scored clip), send us a video link as well.

  4. Check formatting; clarity is king. Have at least four bars per page (union standard) but no more than 8. Too many bars per page can make your score cluttered and take focus away from your musical intentions.

  5. Double check the appropriate ranges of your instrument.  Many compositions are commonly written or edited with software notation programs like Sibelius or Finale and have editing suggestions about range.  

  6. Have another trusted set of eyes look over your application before submitting, it could only help.

  7. Use the Score/Parts Formatting Recommendations document provided Articles tab of the Resource Center page to ensure your parts and score are formatted as per best practices.

 

 

If I am accepted as a fellow, what will the instrumentation be for the final demo recording session?

If accepted as a fellow, instrumentation for final session is neither to exceed 2222 4331 3Perc + Piano + Harp + Strings (8/6/6/6/2) nor 3 minutes in duration (2.5 minutes recommended to allow for more takes).  Asterisks indicate one player will be available to double on the following: piccolo, English horn, bass clarinet and contra bassoon. A full percussion list will be made available upon acceptance.  Brass section breakdown is 4 French horns, 3 trumpets, 3 trombones (2 tenor/1 bass), 1 tuba. String section breakdown is as follows: 8 first violins, 6 second violins, 6 violas, 6 celli, 2 double basses.
 
 
At the final session, will we be using clicks?
Yes. The final session will use clicks but no pre-records with the hope the participant will complete at least 1 final take "free" and without click track, leading the orchestra.
 
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